Standing Room Only

Adaptations are common in theater and often popular shows are revised and modified to reach different audiences. Shakespeare is a favorite source of material.“Hamlet” inspired “Fat Ham” and “Romeo and Juliet led to “ West Side Story” and later “& Juliet.” “The Wizard of Oz,” a 1939 classic movie based upon L. Frank Baum’s 1900 […]

Years ago, I taught the book The Outsiders to classes of teenagers. My students were intrigued by the two warring gangs separated by economic circumstances: the Socs, wealthy kids in madras and khakis who had it all versus the Greasers with their hair slicked down, from the poor side of town. It was 1967 and […]

In 2002, Long Island Reads initiated a program designed to bring together readers in Nassau and Suffolk Counties to discuss a Long Island-related book. Unsurprisingly, the first book was the classic novel, The Great Gatsby by F. Scott Fitzgerald. Now it is a new musical at the Broadway Theatre. The Great Gatsby is set on […]

Few film actors can easily transition from film to the stage with live audiences and no do-overs. Yet Rachel McAdams makes a splendid Broadway debut in the revival of Amy Herzog’s play “Mary Jane.” The quiet intimate play is about Mary Jane, the single mother of a severely disabled youngster. Alexander is two and a […]

One problem with revivals is that creatives often feel a need to change things up. So they might use a different time, setting, storyline and sometimes even remove music. The recent revival of “Cabaret at the Kit Kat Club” starring Eddie Redmayne as the Emcee now includes a prologue. Attempting to create the mood and […]

Fans of “The Crown” written by Peter Morgan may flock to see “Patriots,” his new Broadway play but they will discover a very different historical drama. However, the trip is worth it to see the terrific performance by Michael Stuhlbarg as Boris Berezovsky, a Russian oligarch. Using current events, Morgan has turned to Russia for […]

As we approach Mother’s Day, it was fitting that two of the plays I saw this week had mothers as central characters, and they could not have been more different. “Mary Jane” is loving, self-sacrificing and always positive, while Phyliss in “Mother Play,” the new work by Paula Vogel (How I Learned to Drive,) is […]

The revision of “Uncle Vanya” at Lincoln Center is notable for two reasons. One is that it has been modernized by Heidi Schreck (“What the Constitution Means to Me”) making it more relatable to the audience. More significantly, the show marks the Broadway debut of actor Steve Carell (“The Office,” “The 40 Year Old Virgin.”) […]

Imagine you are the fly on the wall in a recording studio. One of your favorite groups is scheduled to record its latest album. It’s the 1970’s, and the group has an album on The Billboard charts. That’s what it’s like sitting in the audience at “Stereophonic,” the new play by David Adjmi. Although the […]

The NYTW production of “Here There Are Blueberries” in a co-production with Tectonic Theater Project, begins with a single object onstage. It is a Leica camera and the narrator explains how it changed culture. And although pictures capture images, we see only what is in the frame, not outside of it. Moises Kaufman, best known […]